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          Competition Rules

          Critiquing and Taking Photographs

          Critiquing Guidelines

          Guidelines for 9 Point Scoring System

          Assigned Subjects

          Processing Electronic Images

          Constitution / Bylaws

          Brochure


                                     Caveman Camera Club 
                    Competition Rules

                                                         Revised August 22, 2010

1.         1 Competition Calendar:   Photographic competitions will be held monthly from September through May.  Yearly awards are presented at an Annual Awards Ceremony during June after three non-member judges selections.  Monthly competitions will not be held in June, July, or August.

 

2.         2 Subject Matter:   Subject matter will be the photographer’s choice between the Open category and the Assigned Subject category.  Explicitly pornographic or libelous material will not be accepted.

 

3.         3 Entries:

a.     All members may enter color prints and monochrome prints and/or electronic images into its appropriate category.

b.     Guests may enter competition one time only before becoming a club member.

c.     A total of two entries per month are permitted into any combination of categories – Open or Assigned – and any combination of prints or electronic images.

d.     Competition staff will establish which categories are to take place at a given meeting.  If there are less than two persons  with three entries in any category, there will be no competition in that category for that month.  Monochrome prints may be combined with color prints if there are less than 3 entries in a competition.

e.     An entry that did not win a place (1st, 2nd, 3rd place plus Honorable Mention) may be entered in any subsequent monthly competition.  Any entry that has won a place in its respective competition is not eligible for re-entry in a subsequent competition in any medium.  (The spirit of this rule is for a winning image to not be shown in another competition, allowing others to have an opportunity for winning.)

f.     Entering an image assumes giving to the Club the right to display the image for the club’s purpose (e.g., publicity, educating, informing in the newspaper and website).  The copyright remains the property of the entrant.

g.     All entries that have won a place, including Honorable Mention, during a competition year are eligible for the Annual Awards Competition at the end of that year.

 

4.         4 Assigned or Open Categories:

a.     A photographer may enter an image of any subject matter whatsoever (with exclusions of sec. 2 above) into a monthly competition.  That image may be either a print or an electronic submission.

b.     Assigned Categories will be made for each month of the club year and presented to the membership at the end of the club year.  The Assigned subjects will be chosen with an educational purpose in mind, encouraging the photographer to push his or her own boundaries and try different subjects or aspects of the art and skills of photography.  The Assigned subjects will be posted on the website and given as a handout.

 

5.         5 Judging:

a.     Entries will be scored by either three judges or by vote of the members and guests present.  The three judges may vary among outside guest judges and trained member judges.  Effort will be made to vary the guest judges as well as member judges.  Member judges must score their own entries by entering “0."  The guest judge’s (or senior judge’s) score will be taken as that person’s score.

b.     Critique and scoring will be based on these three photographic elements:

        1)    Technical Excellence      Exposure, lighting, focus, depth of field, tonality or colors, cleanliness, etc.

        2)    Composition      Balanced arrangement of elements, design, leading lines, etc.

        3)    Impact      Initial effect on the viewer, creativity, effectiveness of the image

c.     Each entry will be scored on a scale of 1 to 9 points.  The maximum total that an entry may receive is 27 points (9 per judge).  The minimum total is 3 points (1 per judge).  When the total members present are voting, the scores will be tallied by the competition staff.  Supplemental handouts provide further clarification of the scoring.

        1 point      Unacceptable or disqualified           6 points      Better than average

        2 points     Poor                                                7 points      Good quality

        3 points     Poor, with some good qualities       8 points      Very good quality

        4 points     Fair, below average                         9 points      Excellent, deserves an

        5 points      Average                                                                 award

d.     If a judge can’t see how an Assigned Subject image reasonably meets the definition of the subject, it will be disqualified with a score of 1 point.

 

6.         6 Places, Points, Awards:

a.     There will be places awarded in each category, Open or Assigned, in each monthly competition.  The number of places will be determined by dividing the number of entries in each category by 3, rounded to the nearest whole number or at the discretion of the judging secretary.

b.     Places and award points values:

               First Place                             5 points

               Second Place                        4 points

               Third Place                           3 points

               Honorable Mention               2 points

c.     In case of ties, the guest or senior judge will break the tie.

d.     The photographer will get an automatic point awarded for each category (Open or Assigned) that is entered each month.  That is one point for Open and one point for Assigned.  To further clarify, the maker is allotted 2 images total to be judged for the evening, whether entering both in one category or splitting between 2 categories.

e.     Points are accumulated through the year to establish Photographer of the Year at the Annual Awards Ceremony in June.

 

7.         7 Color and Monochrome Print Competition:

a.     Entries may either be printed by the entrant or be processed by a commercial lab.  Entries may include prints from negatives, from slides, and from digital images.  The initial exposure in the camera must be made by the entrant.  Member’s own processing may be by computer and printer or through the wet darkroom process.

b.     Prints must be mounted firmly on a backing material or a sturdy, attractive front mounting of mat board or other acceptable material (for example, gallery wrap).  Mounting need not be the work of the photographer.  Loose or shoddily mounted prints will be rejected.  Shrink-wrapped prints are acceptable.

c.     The smallest print size is 35 square inches (equivalent to 5" x 7" inside dimensions).  The largest print size including matting and mounting can be no larger than 16" x 24.”

d.     Prints must be clearly identified on the back of the mount with the title and the maker’s name.  This identification is to be in alignment with the viewing position to assure that the print is judged in the orientation that the maker intended (top side up).

e.     Monochrome prints means density variations of one color or tone (e.g., black, sepia, etc).  Color prints means the use of more than one color or tone.

 

8.         8 Electronic Image Competition:

a.     Images may be color or monochrome.

b.     The initial exposure in the camera must be made by the entrant.  The entry is not limited to images taken with a digital camera.  Images may also be acquired on positive or negative film, scanned, modified (if desired), and submitted.

c.     Image file specifications:

        1)    Images must be in jpg format and properly sized.

               a)     The maximum pixel dimension is 1024 pixels horizontal, 768 vertical.

               b)    Image file may not be larger than 350 KB.

        2)    Image files must be properly named as shown here.  CAVE is the proper abbreviation for Caveman Camera Club; do not use CCC!

                       FirstnameLastname_YourClubsInitials_TitleOfImage.jpg

                       example:   JohnDoe_CAVE_PrettyFlower.jpg

                       example:   JaneSmith_CAVE_SeaScape.jpg

d.     Entries must be submitted no later than four (4) days prior to the competition date.  Send the image file by email attachment to the Electronic Image Coordinator.  The coordinator will assemble the entries for the competition staff.

 

9.         9 Annual Awards Competition and Awards Ceremony:

a.     It is the responsibility of the photographer to enter all place winning (1st, 2nd, 3rd, and Honorable Mention) images in the Annual Awards Competition before the jury review date and as directed by the competition staff.

b.     The jury shall consist of three guest judges who are not members of the club.  They will make their selections after the completion of the final monthly competition of the year in May.

c.     Based on the juried competition of all place winners that have been provided by the photographers, awards in the following categories may be presented.  Awards will be at the discretion of the Awards Committee and judges.  All awards need not be presented.

        1)    Electronic Image of the Year    with up to 5 runner-ups at the discretion of the committee

        2)    Print of the Year    with up to 5 runner-ups at the discretion of the committee

        5)    Photograph of the Year at the discretion of the judges

d.     Photographer of the Year will be presented to the member who has accumulated the most points in all categories for the club year September through May.  (See section 6 above.)

e.     An awards ceremony will be conducted during June, the last month of each competition year.  

                                                                                                                       Revised August, 22 2010


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Processing
  Electronic  Images  For  Competition
                           08 August 2010

General

All elements of the Caveman Camera Club “Competition Rules” apply.            

Subject category is “General” unless otherwise stated.

Entries are not limited to images taken with a digital camera. Images may be acquired on film 
(slide or negative) and then digitized (scanned) , modified (if desired) and submitted.

No name or identification shall be on the image proper.  

Image File Specifications    Images must be properly sized, formatted and named.  

A) The maximum dimensions are 1024 pixels horizontal and 768 pixels vertical. 
           Tip: Work on a copy of the original.                      
                  
Find "Image Size" screen in photo editing program. 
                   
Work from the bottom of the screen to the top. 
                   
Set Bicubic 
                   
Check resample 
                   
Check constrain proportions
                   Check scale styles 
                   
Ignore resolution *    
                   
Ignore document height * 
                   
Ignore document width * 
                   
Set pixel dimensions by typing in height 768 for a vertical image or 1024 for a horizontal image.
                   OK
* While resolution, height and width are important for printing they are not used for electronic projection.  
Actual pixels are used on a one to one basis.  However, many editing programs require that 
resolution is set to a positive number.  Choose any number you like to satisfy this requirement. 
The one you normally use for printing will be the most convenient.  

B) Images files must be in the JPG format and not larger than 350KB. 
            
Tip: Save as a JPG file. 
                                   
First screen is an easy place to put the right name on the file.
                                               
(It can be done later by "Renaming").  
                                    Second screen is the place to set the amount of file compression for less than 350KB.  
                                                The compression level is set by typing in a number or with the slider. 
                                               
Number12 is little or no compression, you will need 10, 9, or 8 
                                               
An estimated file size is shown some where on this screen. 
                                               
Adjust compression level as needed to be less than 350KB.   
                                   
Save                                                                                                                               

                        Tip: Recheck "image size" to verify it is 350KB or less.
                                    If file size is greater than 350, do the process a second time. 
                                   
If the file size is less than 200 it may be over compressed.  
                                    Warning: For good quality do not reopen this jpg file. Delete it.  
                                   
Restart with a new copy of the original.                                                

            C) Image File-Naming Convention 
                       
1) FirstnameLastname_YourClubsInitials_TitleOf Image.jpg  
                       
2) For example:   JohnDoe_CAVE_PrettyFlower.jpg   
                       
3) For example    JaneSmith_CAVE_SeaScape.jpg.  

 
                       4) Note: CAVE is the proper abbreviation for Caveman.  Do not use CCC  

Submission
           
Send appropriate image file by email attachment to Electronic Image Coordinator.
           
Multiple entries should be multiple attachments on one e-mail. 
           
Competition Name goes in Subject Line
           
Entries must be submitted no later than four (4) days prior to the competition date. 
           
At the current time, Staffords are the Coordinators 
stafford@charter.net 
           
Staffords will assemble the entries and deliver them to the Competition Staff.

Feedback
           
The Competition Staff will provide a Summary of the Judging to the participants.
   

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                                                     Critiquing Guidelines  

Be Positive    Remember you are looking at someone’s pride and joy.  Always start with a positive point in the photograph, such as “you have placed the subject very well in the frame” or “the ____ leads my eye directly to the subject without any distraction.”  Then let them know what little thing might have improved the photograph, such as “I think that late evening light might have given you a richer color and looked better; don’t rush the time of day.” 

Don’t Find Fault    Remember that you don’t have to find something wrong with the photo.  If it isn’t an above average photo, you can just let them know how it could have been improved.  Sometimes they can’t change what would have helped the photo (they can’t move a mountain or a tree), but you can ask if they could have changed the angle or location when they took the photo and explain how that would improve it.

Exposure    Would the photo have been better if the subject had been lighter or darker?  Explain that the subject blends into the background and would have been better if they had taken the photo at a different time of day so that the light was better.  If they wanted a silhouette, then the other areas should not have details in them.

Focus    Is the image sharp or was it intended to be soft?  It may be that the depth of field could have been changed to make a better photo.  Maybe a soft focus lens was used to achieve a specific mood.  Point out the benefits of using different depth of fields and how it could improve or change the photo.

Personal Bias   Don’t inject your personal bias into the judging and critique of the photograph.  We all know that babies and bunnies are cute, but a landscape or an abstract is just as beautiful and should be given the same respect.  This is probably the hardest thing to leave behind when you judge.  Just remember you must be fair.

Difficulty Level    Don’t let your personal perceived level of difficulty enter into the scoring of the photograph.

Safety    Don’t make comments that might encourage the photographer to take chances to improve a photo, like “Bears aren’t dangerous; you should have gotten closer.”

   

adapted from:   Valley Viewfinders Judging Guidelines

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Guidelines for Using the 9 Point Scoring System

1.       Use this score to disqualify an image.  An image may be disqualified if it clearly infringes on another artist’s copyright or if you feel that it clearly does not meet competition rules.

2.       The image shows serious technical defects – gross under or over exposure, very poor focus or significant (and clearly unintended) camera movement, or similar problem.

3.       The image either has significant technical defects, serious shortcomings in image content, or some combination of these problems.  

Because most of the photographers who compete in the Caveman Camera Club competitions have at least some photographic experience, this score and lower scores are rarely awarded in competition.  

4.       The image does not have significant technical defects or serious shortcomings in image content.  However, it may have minor defects, or the content (composition, lighting, etc.) is not well handled.  

5.       The image is acceptable in most respects but does not create any significant interest.  

6.       The image is reasonably solid, creating at least a little interest.  Technical aspects and image contents all competently handled.  This is generally the average score for a Caveman Camera Club competition.  

7.       The image is very strong.  Handling is a notch above competent, and the image rewards contemplation.  

8.       The image is exceptional – unique and worthy of special recognition.  You should feel excited about the image.  

9.       The image is of the very highest quality – equal to the best you have seen.  You feel that it should win a medal in salon competition or Photograph of the Year in the annual club competition.  The score is awarded only rarely in Caveman Camera Club competition.  

                                                                                                CCC          Rev. 4/2008  

 

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A Guide for Critiquing (and Taking) Photographs
 

Technical Quality

Exposure & lighting  -  Are areas over- or underexposed?  Is the image too light, dark, or just right?  Is the lighting too flat, too contrasty, or just right?  Does the lighting enhance or detract from the subject?  Is the time of day beneficial to the image?

Focus & depth of field  -  Is the image sharp?  If not, is it intentionally soft and successful?  Is the focus appropriate for the situation?  Does the depth of field work in this shot or should more (or less) of the photo be in focus?  Is it free of scratches, dust spots, lens flares, etc?

Tonality or colors  -  In a black & white image, is there a true black and true white with a good range in between?  Is the image too gray?  Regardless, does the tonal range work for this photograph?  In color, are the colors saturated appropriately for the image, or are they too vivid or not vivid enough?  Is the white balance correct?  Is there an interesting use of primary, secondary, complementary colors?
 

Composition

Balance  -  Is the image aligned correctly or is it crooked?  Is the main subject in the center of the frame?  Is it on a third?  Somewhere else?  Does the chosen composition work?  Would it be better if the “weight” of the subject(s) were placed differently or if the light or dark areas were handled differently?

Design  -  Is the arrangement of the visual elements effective?  Is there a strong center of interest, pattern, or design?  Is the cropping effective, or should it have been cropped tighter or given more space (if possible)?  Is the arrangement of the visual elements effective?

Leading lines  -  Is there good use of visually interesting elements such as diagonal lines or S curves?  If applicable to the subject, does the photo have a fore, middle, and background?  Does the overall composition make you want to look deeper into the photo?  Is your eye drawn into the photo or out of it?
 

Emotional Appeal

Impact  -  Does the photograph get your attention and interest?  Is there a mood conveyed through the image to the viewer?  Do you like the photo?  Does it excite your imagination and have a “wow” factor?

Creativity  -  Was the photo taken at the “right” moment?  Does it show a familiar subject in a new and unusual yet effective way?  Is there an interesting creative process shown in the image?  Does it show a very unusual subject in an effective way?  Is the image artistically provocative or just a missed attempt at something different?  Is it unique and memorable?  

                          adapted from:   “A Guide for Critiquing Photographic Images” at www.myfourthirds.com
                                                    
and “Guide to Critiquing Photographs” at www.photosig.com

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Assigned Subjects
Caveman Camera Club
                    2011-2012 Club Year                 

The ‘assigned subject’ category is given as an option to the ‘open’ category each month.
Regular competition rules apply with the exception that the judges will base part of their score
on how well the image conveys the assigned subject. An image not fitting the assignment could
be scored a ‘1’ and be disqualified. If you are unsure, check with someone or place that image
in the open category. The assigned subject category encourages us to push boundaries,  explore
ideas and learn about different aspects of photography, and as such, it is highly  encouraged
(but not required) that the images were conceived and made after receiving the assigned
subject categories.   

The assigned subjects for Sept 2011 through May 2012 are:  

Sep.   Water - An easy one to start the year. Fairly literal. Is ice water?
              Of course, but let’s hope the judges agree.  

Oct.    Eyes - Potatoes have eyes, needles have eyes. Get out of the box!           
              Careful though, don’t be too cryptic, unless you know the judges.  

Nov.   Curves - Sure, you could go to the fitness center Curves and take a
 
             photo of the storefront, but it better be really, really, really good.  

Dec.   Trees - An amazing subject, with endless possibilities. Budding,
 
             blooming, barren, saplings, giants. A tree grows in Brooklyn .

Jan.   Macro - Close-up photography of very small subjects. If you don’t
 
            own a macro lens, borrow one or take the month off and enter in
 
            the open category. No regular close-ups, we are talking if the
 
            subject is a stamp, it should fill the frame kind of close-up.  

Feb.  Alone - A janitor mopping the floor of a vacant arena. One leaf left
            on a tree. Gene Rimmer in a speedo. (just kidding)  

Mar.  Nightshots - Should be shot after sunset and before sunrise and appear,
             you know, nightlike.  

Apr.  Contrasting Elements - Large-small, new-old, hot-cold, fast-slow,
            life-death, happy-sad. Contrasting elements in the same image.  

May  You Photoshopped That! - A manipulated image that likely was
            obtained with post processing. The final image should reflect nonreal
 
           elements in some way. The viewers should be left wondering “How did
            they do that?” 

 

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                                                           Brochure      

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Last modified: September 10, 2011